Swan (2011)

Not really that incisive, smart, powerful, but does have a striking image/scene in the photo under the tap in the sink. Deducted “points” for that silly sincere/opportunistic (?)  dedication at the end: “For the children.” Only thing other than the “water-photo” that mattered was when in the Q&A she talked about the difficulty of “private art” that aren’t shared with an audience.  Reminded me of this entry in Susan Sontag’s essays, I read a few days earlier: