torsdag den 29. september 2011
mandag den 26. september 2011
søndag den 25. september 2011
lørdag den 24. september 2011
fredag den 23. september 2011
torsdag den 22. september 2011
onsdag den 21. september 2011
Films and Feelings (1971)
"Jannings allowed himself to stray as far from “realism” as comedians do — one can speak of “slow” expressionism, like Jannings’, and ‘fast’ expressionism, like Chaplin’s (or Jerry Lewis’). The middle term between them is exemplified by Catherine Hessling in Jean Renoir’s Nana (1926), where she gives what is both the best and worst performance in the history of the French cinema. With her petal-light limbs flung out into Napoleonic postures, her bee-sting mouth pouting in her heart-shaped face, her eyes narrowed till the pupils disappear under a palisade of lashes, her fluttering precocity and jagged stances, this awkward blend of Chaplinesque, quicksilver and marionette fixity comes, if only the spectator will adapt his response, to make at least as much sense as modern “Method”-ism."
tirsdag den 20. september 2011
Express Yourself (1989)
Nothing particular interesting despite/because of the Metropolis connection.
mandag den 19. september 2011
Drive (2005)
"Worry about that later.
He looked back at the open door. Maybe that’s it, Driver thought. Maybe, for now, three bodies are enough."
...
"By the next day’s end, with nothing on paper, no treatment, not a single word of script, nary a spreadsheet or projection in sight, they had it together. Contingent commitments from investors, a distributor, the whole nine yards. Their lawyer was looking into rights and permissions."
søndag den 18. september 2011
lørdag den 17. september 2011
fredag den 16. september 2011
onsdag den 14. september 2011
tirsdag den 13. september 2011
mandag den 12. september 2011
søndag den 11. september 2011
lørdag den 10. september 2011
fredag den 9. september 2011
torsdag den 8. september 2011
onsdag den 7. september 2011
søndag den 4. september 2011
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