onsdag den 5. september 2012

Cuida el Pueblo su Leyenda (2012)

"Work in Progress", in all fairness. Still.
"You say you want a revolution" #fidelcastroquotes

torsdag den 9. august 2012

To Rome with Love (2012)

Faust - Eine deutsche Volkssage (1926)

Hard to Handle (1933)

Ghosts of Mars (2001)

Le spectre rouge (1907)



L'antre de la sorcière (1906)

Le courant électrique (1906)

Les cent trucs (1906)

Ah! La barbe (1905)

Plongeur fantastique (1905)

Le roi des dollars (1905)

Barcelone - Parc au crépuscule (1904)

L'hereu de can pruna (1904)

Los héroes del sitio de Zaragoza (1903)

onsdag den 1. august 2012

lørdag den 16. juni 2012

Breakfast at Tiffany's (1961)

The Rooney-scenes were worse than I remembered, practically everything else richer to an unimagined degree. "I understand completely." The gags in the party scene ("The Party"), how Edwards obviously has fun in "spy thriller"-mode, John McGiver at Tiffany's the mise-en-scene which brought Sirk to mind. The book at the bus station, "Never Love a Stranger"! After "10" and seeing this again, no more convincing necessary: Blake Edwards was major.

+ more research on Truman Capote and George Axelrod definitely needed.

The Paleface (1922)

søndag den 10. juni 2012

Haiku (2009)

Kicking and Screaming (1995)

"All my accomplishments are in the past." 

"What I used to able to pass off as a bad summer could now potentially turn into a bad life."

 "I'm nostalgic for conversations I had yesterday. I've begun reminiscing events before they even occur. I'm reminiscing this right now. I can't go to the bar because I've already looked back on it in my memory... and I didn't have a good time."

lørdag den 2. juni 2012

Gold on the Ceiling (2012)

My Philosophy of Life

[...]
"Still, there's a lot of fun to be had in the gaps between ideas.
That's what they're made for!  Now I want you to go out there
and enjoy yourself, and yes, enjoy your philosophy of life, too.
They don't come along every day. Look out!  There's a big one..."

Ostensibly (1989)

Ostensibly

Ostensibly (1989)

The Apple ()

Night Fantasies (1991)

L'illusionniste (2010)

Yeah, the naysayers are right.

torsdag den 24. maj 2012

Ôdishon (1999)

Interview with Owen Land (2004)

"The film came about because Carmen Vigil recommended that I read Wit and its Relation to the Unconscious because he thought that what Freud was describing were things that occurred in some of my other films. So I started reading the book and I was struck by the fact that Freud keeps citing marriage broker jokes. They're the only jokes that he uses as examples, and they're bad jokes! Freud didn't have any good material. He would have bombed in Las Vegas."

- Owen Land, 2004

A Therapy (2012)

L'Atalante (1934)

Throw Down (2004)

tirsdag den 15. maj 2012

We Need to Talk About Kevin (2011)

Dug the target in her eye + zoom in. And the cut from the masturbation scene to "Last Christmas" made me laugh. Otherwise...

mandag den 14. maj 2012

Small Time Crooks (2000)

Love, love, love Elaine May in this.

Contains a lot of thematic stuff I "struggle" with. Can't buy class. Ignorance is bliss. Aspiration to culture.

Exit Through the Gift Shop (2010)

torsdag den 10. maj 2012

søndag den 29. april 2012

Capricci (1969)

The shots through veils! Those scenes that seemed out of "Week End"!

...

That whimpering policeman.

L'Apollonide (Souvenirs de la maison close) (2011)

Listened to "Nights in White Satin" like a hundred times after this.

fredag den 27. april 2012

The Avengers (2012)

Abendland (1999)

O som ao redor (2012)

Hauntings 1 ()

Shepard's Delight - An Ananalysis of Humour (1984)

So very funny.

Om ()

Associations (1975)

The Girl Chewing Gum ()

On the Marriage Broker Joke as Cited by Sigmund Freud in Wit and Its Relation to the Unconscious or Can the Avant-Garde Artist Be Wholed? (1977)

Don Giovanni (1970)

Swan (2011)


Not really that incisive, smart, powerful, but does have a striking image/scene in the photo under the tap in the sink. Deducted “points” for that silly sincere/opportunistic (?)  dedication at the end: “For the children.” Only thing other than the “water-photo” that mattered was when in the Q&A she talked about the difficulty of “private art” that aren’t shared with an audience.  Reminded me of this entry in Susan Sontag’s essays, I read a few days earlier:

The Comedy (2012)

Good Bye (2011)

Kiseki (2011)

La folie Almayer (2011)

fredag den 23. marts 2012

Everyone Says I Love You (1996)

Didn't enjoy most of this, but that second to last scene at the Seine...

mandag den 5. marts 2012

Scarlet Street (1945)

The Insect Woman (1963)

Boeing Boeing (1965)

Hvidsten gruppen (2012)

Mildred Pierce (2011)

Merrily We Go to Hell (1932)

So the weekend had a double feature of Fredric March as a drunk. And this even has a young Cary Grant.

Repo Man (1984)

Sleeping Beauty (2011)

Nishi-Ginza Station (1958)

Rango (2011)

A Star is Born (1937)

mandag den 27. februar 2012

Practicalities ()


"I’m told men often do the rough work and that you often see them in the household section of department stores. I don’t even answer that sort of thing. Rough work is fun for men. To cut down trees after a day at the office isn’t work – it’s a kind of game. Of course, if you tell a man of ordinary build and average strength what needs doing – he does it. Wash up a couple of plates – he does it. Do the shopping – he does it. But he has a terrible tendency to think he is a hero if goes out and buys some potatoes. Still, never mind."
-          Translated by Barbara Bray

fredag den 24. februar 2012

Tinker, Tailor, Soldier, Spy


His mood was subdued, even a little glum. Like an actor, he had a sense of approaching anti-climax before the curtain went up, a sense of great things dwindling to a small, mean end; as death itself seemed small and mean to him after the struggles of his life. He had no sense of conquest that he knew of. His thoughts, as often when he was afraid, concerned people. He had no theories or judgements in particular. He simply wondered how everyone would be affected; and he felt responsible.


He had often wondered which side he would be on if the test ever came; after prolonged reflection he had finally to admit that if either monolith had to win the day, he would prefer it to be the East.
“It’s an aesthetic judgement as much as anything,” he explained, looking up. “Partly a moral one, of course.”
“Of course,” said Smiley politely.

mandag den 13. februar 2012

Decline and Fall (1928)

The King's Speech (2010)

Mission: Impossible - Ghost Protocol (2011)

Den vilde fårejagt

”Jeg er ikke ekspert i Farah Fawcetts næse,” sagde jeg og tog en lille slurk vin. Så glemte jeg, hvad det var, jeg var ved at sige.

- oversat af --- fra den engelske oversættelse af ---.

Rendezvous a Paris


Norwegian Wood


”Jeg slog op med ham … sådan,” sagde hun, stak en Marlboro i munden, skærmede for den med hånden, tændte den og tog et sug.
”Hvorfor?”
”Hvorfor?” skreg hun. ”Er du dag fuldkommen idiot?! Du har styr på engelsk konjunktiv, du forstår dig på trigonometri, og du har læst Marx, og alligevel fatter du ingenting. Hvordan kan du spørge om sådan noget? Hvordan kan du tvinge en pige til at skulle sige sådan noget? Fatter du slet ikke, at jeg bedre kan lide dig end ham? Jeg ville da gerne have forelsket mig i en fur, der så bedre ud, men nu er det altså dig, jeg har forelsket mig i.”
- Oversat af Mette Fugl.

torsdag den 2. februar 2012

Carnage (2011)

Not Sadness Which is Always There


After I had learned to live with my sadness
There came another, more disturbing strangeness
Whose purpose I could never understand, who always came late at night

And who kept me awake all hours
Until I turned on the headlamp to read,
As if finally forced to concede,

Not understanding that some things have nothing to do with the Will.
I who had conducted my life so that
I could not do other that what I do,

Who had steered my heavy ship around and around
Until it could only steer in one direction,
I saw no way to put this turmoil to good use.

It was not sadness, which is always there
like a cat I raised from childhood and stroke absent-mindedly

Not even loneliness, which I had trained to back down
In the presence of good company,
But something more needy.

Even as I sit with friends in the Hungarian pastry shop
Dawdling over sweets,
I am shaken by the urge to run home

To be alone with it, to let it work be over,
The mice combing the bag of day-old crumbs
Raking my stomach for overlooked mistakes.